Theodore Poulakis

Greek painter
Theodore Poulakis
Hymn to the Virgin
Born1622
Chania, Republic of Venice
Died1692 (aged 69–70)
Corfu, Greece
NationalityGreek
Known forIconography and hagiography
Notable workSt. John the Baptist,
St. Spyridon and scenes from his life,
The Nativity of Christ
MovementCretan School,
Heptanese School

Theodore Poulakis (Greek: Θεόδωρος Πουλάκης; 1622–1692) was a Greek Renaissance painter and teacher. He is considered the father of the Heptanese School and one of the most prolific painters of Venetian Crete. Poulakis was a member of the Cretan School, his contemporary was Emmanuel Tzanes. Emmanuel Tzanes and Poulakis were active painters of the Cretan School until Candia, went to war with the Ottomans around 1649. Candia finally fell after twenty years of siege in 1669. Poulakis settled on the island of Corfu. Stephanos Tzangarolas was another famous painter in Corfu around the same period. Poulakis's works are likened to Andreas Pavias and Georgios Klontzas. Poulakis works exhibit qualities of the Venetian school. Over 130 of his paintings have survived and can be found all over the world.[1][2][3]

History

Poulakis was born in Chania Crete. He was the son of Antonios. He was married and had two children Vittirous and Eleni. By the age of twenty-four, he was living in Venice. He stayed there for thirteen years until 1657. His son was baptized in Venice in 1646 and his daughter two years later. He was a member of the Quaranta council. Famous Greek painters Philotheos Skoufos, Emmanuel Tzanes, Konstantinos Tzanes, and Ioannis Moskos were all living in Venice around that time. Poulakis was a member of the Greek Brotherhood of Venice in 1654.[4]

In 1657, Poulakis migrated to Corfu. He signed a six-year contract to teach painting to Marinos Damistras son Tzorzi. According to the contract, Tzorzi had to follow Poulakis anywhere he went including Venice. Philotheos Skoufos was a witness for Poulakis in a legal matter around 1666. Poulakis traveled to Cephalonia where he painted. By 1671, he was back in Venice one year later he was voted a member of the Quaranta e Gionta. In 1673, he took part in a baptism. By 1675, he was back in Corfu where he lived out the remainder of his life. He died on November 16, 1692.[5]

Painting style

All Creation rejoices in thee, Georgios Klontzas (1530-1608)
The Hymn to the Virgin, "Eπί Σοί Xαίρει In Thee Rejoiceth Theodore Poulakis

Some of his paintings escaped the traditional maniera greca and exhibit fuller shapes and variations of color. His work Hymn to the Virgin followed the Greek tradition and is comparable to Andreas Pavias Crucifixion of Jesus. Clearly, both artists try to fill the canvas with figures. Both of the paintings follow the traditional Greek style. Another painting by Greek painter Georgios Klontzas, All Creation Rejoices in Thee closely resembles Hymn to the Virgin where the virgin is at the Center of the icon and countless figures occupy the iconic space. Georgios Klontzas clearly inspired the work of Poulakis.[6][7]

He is one the fathers of the Heptanese School due to his transition from painting styles. He does not always observe the traditional lines and shapes of maniera greca. His paintings Adam and Eve, Noah's Ark, and the Birth of Isaac are examples of the transitional period of the Cretan School to the more refined sophisticated art of the Heptanese School. Clearly, Michael Damaskinos experimented with this transition in his The Last Supper, and The Wedding of Cana.[8]

Theodore Poulakis takes his viewers from the Cretan School to the Heptanese School but Michael Damaskinos began playing with the idea one hundred years before Poulakis. El Greco never successfully converted the Cretan School to his stylistic transitions. Poulakis continued painting until the time of his death.[9]

Gallery

Cretan School

  • In Thee Rejoiceth
    In Thee Rejoiceth
  • Virgin, Tree of Jesse
    Virgin, Tree of Jesse
  • St. John the Baptist
  • Saint Nicholas
    Saint Nicholas
  • St. Spyridon and scenes from his life
    St. Spyridon and scenes from his life
  • Palaiokastritsa monastery, Corfu Icon of the St. George
    Palaiokastritsa monastery, Corfu Icon of the St. George
  • Saint John
    Saint John
  • The Ascension of Prophet Elijah and Scenes from his life.
    The Ascension of Prophet Elijah and Scenes from his life.

Heptanese School

  • Archangel Michael
    Archangel Michael
  • God Creates Adam
    God Creates Adam
  • God Creates Eve
    God Creates Eve
  • Adam and Eve
    Adam and Eve
  • Noah's Ark
    Noah's Ark
  • Birth of Isaac
    Birth of Isaac
  • The Nativity of Christ
    The Nativity of Christ
  • Death of Moses
    Death of Moses

Notable works

  • In Thee Rejoiceth (Poulakis)
  • Adoration of Joseph, Collection Sterbini Rome, Italy
  • The Four Knights of the Apocalypse Collection by S. Amberg Switzerland
  • Onuphrius Entrhoned Livorno, Italy
  • John the Baptist as Child Sotheby's London, United Kingdom
  • John the Theologian Lefkosia, Cyprus
  • Crucifixion, Collection of Abou-Adal Beirut, Lebanon
  • All Thee Rejoices Private Collection Spain
  • Noah's Ark (Poulakis)
  • The Archangel Michael (Poulakis)
  • The Fall of Man (Poulakis)
  • The Miracle of the Holy Belt

See also

References

Wikimedia Commons has media related to Theodoros Poulakis.
  1. ^ Bigham, Steven (2000). Heroes of the Icon: People, Places, Events. New York NY: Oakwood publications. p. 136.
  2. ^ Hatzidakis, Manolis & Drakopoulou, Eugenia (1997). Greek painters after the fall (1450-1830) Volume B. Center for Modern Greek Studies E.I.E. pp. 304–317.
  3. ^ Eugenia Drakopoulou (February 10, 2022). "Poulakis (Pulachi, Pulaki) Theodoros (Theodoro, Thodoro)". Institute for Neohellenic Research. Retrieved February 10, 2022.
  4. ^ Hatzidakis, 1997, pp 304-317
  5. ^ Hatzidakis, 1997, pp 304-317
  6. ^ Vikan, Gary (1988). Icon. Baltimore, Md.: Trust for Museum Exhibitions, Walters Art Gallery. p. 59.
  7. ^ Hatzidakis, 1997, pp 304-317
  8. ^ Hatzidakis, 1997, pp 304-317
  9. ^ Hatzidakis, 1997, pp 304-317

Bibliography

  • Hatzidakis, Manolis (1987). Greek painters after the fall (1450-1830) Volume A. Center for Modern Greek Studies E.I.E.
  • Hatzidakis, Manolis & Drakopoulou, Eugenia (1997). Greek painters after the fall (1450-1830) Volume B. Center for Modern Greek Studies E.I.E.
  • Drakopoulou, Eugenia (2010). Greek painters after the fall (1450-1830) Volume C. Center for Modern Greek Studies E.I.E.
  • v
  • t
  • e
Principal proponentsOther artistsMajor works
  • Virgin of the Passion (Tzanfournaris, 1600–1630)
  • Catherine of Alexandria (Palladas, 1612)
  • Christ Pantocrator (Palladas, 1608-1645)
  • In You Rejoiceth (Kavertzas, 1615–1648)
  • The Crucifixion (Paleokapas, 1635–1640)
  • The Last Judgment (Kavertzas, 1640–1641)
  • The Crucifixion (Margkazinis, 1647)
  • The Last Judgment (Moskos, 1653)
  • In Thee Rejoiceth (Poulakis, 1640–1692)
  • The Stoning of Stephen (Skoufos, 1645-1685)
  • Saint Mark (Tzanes, 1657)
  • Mary Magdalene (Tzanes, 1650–1685)
  • Christ the Vine (Moskos, 1650-1690)
  • Christ Enthroned (Moskos, 1653)
  • Christ Enthroned (Tzanes, 1664)
  • Saint Theodora (Tzanes, 1671)
  • Christ the Vine (Victor, 1674)
  • Tree of Jesse (Victor, 1674)
  • The Vision of Constantine (Moskos, 1678)
  • Lady the Lambovitissa (Tzanes, 1684)
  • The Crucifixion (Moskos, 1711)
Related
  • v
  • t
  • e
Heptanese School (painting)
Principal proponents
Other artists
Outside Ionian Islands
Major works
  • The Archangel Michael (Poulakis, 1640–1692)
  • Constantine and Helen (I. Moskos, 1665–1721)
  • The Fall of Man (Poulakis, 1640–1692))
  • The Holy Towel (E. Tzanes, 1659))
  • Saint Onuphrius (E. Tzanes, 1662))
  • Jacob’s Ladder (E. Moskos, 1664–1666)
  • The Miracle of the Holy Belt (Poulakis, 1640–1692))
  • Virgin and Child on Bronze (E. Moskos, 1650–1687)
  • Noah's Ark (Poulakis, 1660–1692)
  • Adoration of the Shepherds (Tzangarolas, 1688–1700)
  • Virgin Glykofilousa with the Akathist Hymn (Tzangarolas, 1700)
  • The Holy Family (P. Doxaras, 1700)
  • Virgin Glykofilousa (Karantinos, 1723)
  • Angel Holding the Body of Christ (Kallergis, 1732)
  • Vision of Constantine (Stavarkis, 1729–1786)
  • Assumption of Mary (N. Doxaras, 1725–1775)
  • The Prophet Jonah (Stavrakis, 1750–1800)
  • The Deposition from the Cross (Stavrakis, 1729-1786)
  • The Holy Trinity (Romas, 1764)
  • Entry of Christ into Jerusalem (Karousos, 1780)
  • A Scene from the Life of John Chrysostom (Ventouras, 1797)
  • Saint Spyridon, John the Baptist, Saint Peter, and Saint George (Koutouzis, 1750–1813)
  • Lamentation of Christ (Kantounis, 1790–1834)
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