Saint John the Evangelist and Saint Francis
Saint John the Evangelist and Saint Francis | |
---|---|
Artist | El Greco |
Year | c.1600 |
Medium | oil on canvas |
Dimensions | 110 cm × 86 cm (43 in × 34 in) |
Location | Uffizi, Florence |
Saint John the Evangelist and Saint Francis is a c.1600 oil on canvas painting by the artist El Greco, now in the Uffizi. John is accompanied by an eagle (bottom left) and holds a gold chalice containing his head. Both saints are barefoot. The artist's signature Dominicos Théotokopulos epoiese is on a rock in the centre.
It originally belonged to the ducal family of Sueca in Spain, who kept it at Boadilla del Monte. In 1904 it was inherited by the Ruspoli y Godoy family (the Spanish branch of the Ruspoli family), due to Carlota de Godoy, 2nd Duchess of Sueca's 1821 marriage to prince Camillo Ruspoli, son of Francesco Ruspoli, 3rd Prince of Cerveteri. It was first studied in 1821 by Manuel Bartolomé Cossío in his magnum opus on El Greco.[1] It was studied again in a 1962 two-volume catalogue raisonné of the artist's works by Harold Edwin Wethey.[2] In 1975 it was placed in a new gilded frame and presented to the Uffizi, where it still hangs[3]
See also
References
- ^ (in Spanish) Manuel Bartolomé Cossio, El Greco, Madrid, Victoriano Suarez, 1908, vol. I, n. 36, SBN IT\ICCU\TO0\1512268
- ^ Harold Edwin Wethey, El Greco and his school, New York, Princeton University Press, 1962, vol. II, p. 224
- ^ (in Italian) Gallerie degli Uffizi, Gli Uffizi: Catalogo generale, Firenze, Centro Di, 1980, p. 310, Inventory Number 9493 [1979]
- v
- t
- e
- Adoration of the Magi (c. 1565–1567)
- Dormition of the Virgin (1565–1566)
- Healing of the Man Born Blind
- Dresden, 1567
- Parma, c. 1573
- Modena Triptych (1567–1569)
- Baptism of Christ (1567–1569)
- Last Supper (1568)
- Flight into Egypt (1570)
- Annunciation
- Prado, 1570
- Madrid, 1575–1576
- Illescas, 1600–1605
- Purification of the Temple
- Washington, 1570
- Minneapolis, 1570
- New York, 1595–1600
- London, 1600
- Madrid, 1609
- The Fable (1570–1575)
- Entombment of Christ (1570–1576)
- El Soplón (1571–1572)
- Pietà (1571–1576)
- Penitent Magdalene (1576–1578)
- Saint Sebastian (1576–1579)
- Santo Domingo el Antiguo Altarpiece (1577)
- Saint Lawrence's Vision of the Madonna and Child (1577)
- Adoration of the Holy Name of Jesus (1577–1579)
- Assumption of the Virgin (1577–1579)
- Disrobing of Christ (El Expolio) (1577–1579)
- Holy Trinity (c. 1577–1579)
- Saint Anthony of Padua (1580)
- Christ Carrying the Cross
- New York, c. 1580
- Barcelona, 1590–1595
- Madrid, 1597–1600
- The Martyrdom of Saint Maurice (1580–1582)
- The Tears of Saint Peter
- Barnard Castle, 1580–1589
- Mexico City, 1587–1596
- Oslo, c. 1590
- The Immaculate Conception with St John the Evangelist (c. 1585)
- The Burial of the Count of Orgaz (1586)
- Holy Family (1586–1588)
- Holy Face of Jesus (1586–1595)
- Saint Peter and Saint Paul
- Barcelona, 1587–1592
- Saint Petersburg, c. 1587–1592
- Agony in the Garden
- London, 1590
- Andújar, 1597–1607
- Christ on the Cross Adored by Two Donors (c. 1590)
- The Penitent Saint Peter (c. 1590–1595)
- Saint Louis (1592–1595)
- Virgin Mary (Mater Dolorosa) (c. 1594–1604)
- Holy Family (c. 1595)
- Christ Taking Leave of his Mother (1595)
- Saint Andrew and Saint Francis (1595–1598)
- Adoration of the Shepherds
- Bucharest, 1596
- Madrid, 1612–1614
- Doña María de Aragón Altarpiece (1596–1599)
- View of Toledo (1596–1600)
- Virgin Mary (1597)
- Saint Martin and the Beggar (1597–1599)
- The Virgin of Charity (1597–1603)
- Allegory of the Camaldolese Order (c. 1597)
- Saint John the Baptist (1597–1607)
- Saint John the Evangelist and Saint Francis (c. 1600)
- Saint Bernardino of Siena (1603)
- Nativity (1603–1605)
- Coronation of the Virgin (1603–1605)
- Marriage of the Virgin (1603–1607)
- Saint John the Evangelist (c. 1605)
- The Apparition of the Virgin to St. Hyacinth (c. 1605–1610)
- The Immaculate Conception (1607–1613)
- Saint Peter (1608)
- View and Plan of Toledo (1608)
- Concert of Angels (1608)
- The Saviour (1608–1614)
- Saint Thomas the Apostle (1608–1614)
- Opening of the Fifth Seal (1608–1614)
- Saint Jerome (1609)
- Saint Ildefonsus (1609)
- Saint Francis and Brother Leo (1609)
- Saint James the Great (1610)
- Saint Luke (1610–1614)
- Laocoön (1610–1614)
- Saint Paul (1610–1614)
- Saint Sebastian (1610–1614)
- Julián Romero and Saint Julian (1612–1614)
- Portrait of Giulio Clovio (c. 1571)
- Portrait of Vincenzo Anastagi (1571–1576)
- The Nobleman with his Hand on his Chest (c. 1580)
- Portrait of a Doctor (1582–1585)
- Portrait of a Gentleman (c. 1586)
- Portrait of Rodrigo Vázquez de Arce (c. 1587–1597; lost, known from a copy)
- Portrait of an Elderly Man (1587–1600)
- Portrait of Antonio de Covarrubias (1595–1600)
- Self-Portrait (1595–1600)
- Portrait of Jorge Manuel Theotocópuli (c. 1597–1603)
- Portrait of a Young Nobleman (1600–1605)
- Cardinal Fernando Niño de Guevara (c. 1600)
- Portrait of an Unknown Gentleman (1603–1607)
- Portrait of Fray Hortensio Félix Paravacino (1609)
- Portrait of Juan Pardo de Tavera (1609)
- Portrait of Jerónimo de Cevallos (1609–1613)
- Portrait of Francisco de Pisa (1610–1614)
- Jorge Manuel Theotocópuli (son)
- Lady in Ermine (1947 film)
- El Greco (1966 film)
- El Greco (1998 album)
- El Greco (2007 film)
- El Greco fallacy