Prelude and Fugue in B-flat minor, BWV 867
The Prelude and Fugue in B-flat minor, BWV 867, is a keyboard composition by Johann Sebastian Bach. It is the 22nd prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1722 or earlier.[1]
Prelude
![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png)
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The prelude is in the style of an arioso, with up to seven nominal voices manifesting in only three distinct strands. The prelude's structure is bipartite, divided in half by a cadence. British music critic John Alexander Fuller Maitland compared it with the St Matthew Passion.[2]
Below are the opening bars of the prelude:
![\new PianoStaff <<
\new Staff = "up" \with {
\consists "Merge_rests_engraver"
}
<<
\set Score.tempoHideNote = ##t
\tempo 8 = 80
\clef treble \key bes \minor \time 4/4
\new Voice \relative c'' {
\voiceOne
r8 bes16 c16 <bes des>8 8 8 <a c>16 <bes des>16 <c ees>8 8
8 <bes des>16 <c ees>16 <des f>8 8 8 <c ees>16 <des f>16 <ees ges>8 8
}
\new Voice \relative c' {
\voiceTwo
r8 e8\rest e8\rest f8 ges4 e8\rest \stemUp a8
}
>>
\new Staff = "down" <<
\clef bass \key bes \minor \time 4/4
\new Voice \relative c' {
\voiceThree \showStaffSwitch
<des f>8 e8\rest e8\rest des8 ees4 \change Staff = "up" \stemDown e8\rest <c ges'>8
<des f>4 e8\rest <des f bes>8 <c a'>4 e8\rest <c a'>8
}
\new Voice \relative c' {
\voiceFour
bes8 8 8 8 8 8 8 8
8 8 8 8 8 8 8 8
}
>>
>>](http://upload.wikimedia.org/score/4/d/4div9hzko28ybwwbvwlboz6dshh9o8g/4div9hzk.png)
Fugue
Among the fugues in The Well-Tempered Clavier's first book, BWV 867's fugue is the closest to stile antico. The fugue is in five voices, and its subject stands out for its use of a wide minor ninth interval[3] and "rhetorical" pause. Instead of substantial episodes, there are only two canonic bridges. The fugue climaxes in a five-part stretto before ending on a Picardy third.[4]
Below are the first two statements of the subject in the fugue's opening:
![\new PianoStaff <<
\new Staff = "up"
<<
\clef treble \key bes \minor \time 4/4
\new Voice \relative c'' {
\voiceOne
bes2 f g'4\rest ges f ees
des c des ees f e8 f g2~ g4 aes8 g f2~ f4 ees8 des ees4
}
\new Voice \relative c' {
\voiceTwo
b1\rest b1\rest
f'2 bes, r4 des' c bes aes g aes bes c2.
}
>>
>>](http://upload.wikimedia.org/score/9/e/9ens0hxqed1atsofkh147zrhekfj29v/9ens0hxq.png)
References
- ^ Netherlands Bach Society.
- ^ Schulenberg 1992, pp. 192–193.
- ^ Ledbetter 2008, p. 224.
- ^ Schulenberg 1992, p. 193.
Sources
- Ledbetter, David (2008). Bach's Well-Tempered Clavier: The 48 Preludes and Fugues. Yale University Press. pp. 222–226. doi:10.12987/9780300128987. ISBN 978-0300128987. S2CID 246101671.
- Schulenberg, David (1992). The Keyboard Music of J.S. Bach. Macmillan Publishing Company. ISBN 9780028732756. LCCN 91039348.
- "The Well-Tempered Clavier I No. 22 in B-flat minor". Netherlands Bach Society. Retrieved April 23, 2021.
External links
- Prelude and Fugue in B-flat minor, BWV 867: Scores at the International Music Score Library Project
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- Fugue in G minor, BWV 131a (doubtful)
- Sonatas, BWV 525–530
- Prelude and Fugue in C major, BWV 531
- Prelude and Fugue in D major, BWV 532
- Fantasia and Fugue in C minor, BWV 537
- Toccata and Fugue in D minor ("Dorian"), BWV 538
- Toccata and Fugue in F major, BWV 540
- Fantasia and Fugue in G minor ("Great"), BWV 542
- Prelude and Fugue in A minor, BWV 543
- Prelude and Fugue in B minor, BWV 544
- Prelude and Fugue in C minor, BWV 546
- Prelude and Fugue in E minor ("Wedge"), BWV 548
- Eight Short Preludes and Fugues, BWV 553–560 (doubtful)
- Fantasia and Fugue in C minor, BWV 562
- Toccata, Adagio and Fugue in C major, BWV 564
- Toccata and Fugue in D minor, BWV 565 (doubtful)
- Prelude (Toccata) and Fugue in E major, BWV 566
- Fantasia ("Pièce d'Orgue") in G major, BWV 572
- Fugue in G minor ("Little"), BWV 578
- Passacaglia and Fugue in C minor, BWV 582
- Concertos, BWV 592–597
- Orgelbüchlein, BWV 599–644
- Schübler Chorales, BWV 645–650
- Great Eighteen Chorale Preludes, BWV 651–668
- Chorale partita Sei gegrüßet, Jesu gütig, BWV 768
- Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
- Neumeister chorales, BWV 1090–1120
- Chorale fantasia Wo Gott der Herr nicht bei uns hält, BWV 1128
- Inventions and Sinfonias, BWV 772–801
- English Suites, BWV 806–811
- French Suites, BWV 812–817
- Partitas, BWV 825–830
- Overture in the French style, BWV 831
- Well-Tempered Clavier, BWV 846–893
- Book 1
- No. 1 in C major
- No. 2 in C minor
- No. 3 in C♯ major
- No. 4 in C♯ minor
- No. 7 in E♭ major
- No. 10 in E minor
- No. 16 in G minor
- No. 21 in B♭ major
- No. 22 in B♭ minor
- Book 2
- No. 1 in C major
- No. 2 in C minor
- No. 3 in C♯ major
- No. 4 in C♯ minor
- No. 5 in D major
- No. 6 in D minor
- No. 12 in F minor
- No. 13 in F♯ major
- No. 18 in G♯ minor
- No. 22 in B♭ minor
- No. 24 in B minor
- Chromatic Fantasia and Fugue
- Fantasia and Fugue in C minor, BWV 906
- Toccatas, BWV 910–916
- Six Little Preludes, BWV 933–938
- Italian Concerto
- Harpsichord solo concertos
- Goldberg Variations
- discography
- Gould recording
- Aria variata alla maniera italiana
- Capriccio on the departure of a beloved brother
- Suite in G minor, BWV 995
- Suite in E minor, BWV 996
- Suite in C minor, BWV 997
- Prelude, Fugue and Allegro in E♭ major, BWV 998
- Prelude in C minor, BWV 999
- Fugue in G minor, BWV 1000
collections
- Clavier-Übung III: Prelude and Fugue in E♭ major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805
- Concerto transcriptions, BWV 592–596 and 972–987
- Klavierbüchlein W. F. Bach
- Notebook A. M. Bach
- Twelve Little Preludes
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