Le Merle noir
Le Merle noir ("The Blackbird") is a chamber work by the French composer Olivier Messiaen for flute and piano. It was written and first performed in 1952[1] and is one of the composer's shortest independently published works, lasting just over five minutes. It has neither time signature nor key signature.
History
The composition originated in a commission for a test piece for flute for the Paris Conservatoire, at which Messiaen was a professor.[2] The winners of the premier prix in the Concours de flûte that year were Daniel Morlier, Jean Pierre Eustache, Jean Ornetti, Régis Calle and the British flute player Alexander Murray.[3] Messiaen had a consuming, lifelong interest in ornithology and particularly bird songs. While not his first work to incorporate stylised birdsong, Le Merle noir was the earliest of his pieces to use authentically transcribed birdsong,[4] foreshadowing Messiaen's later, more extended birdsong-inspired pieces.
References
- Hill, Peter and Simeone, Nigel (2005). Messiaen. Yale University Press, New Haven and London. ISBN 0-300-10907-5.
{{cite book}}
: CS1 maint: multiple names: authors list (link) - Griffiths, Paul (2001). "Olivier Messiaen". Grove Music Online (8th ed.). Oxford University Press. ISBN 978-1-56159-263-0.
Notes
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- Saint François d'Assise (1975–83)
- L'Ascension (1932–33)
- Trois petites liturgies de la présence divine (1943–44)
- Turangalîla-Symphonie (1946–48)
- Oiseaux exotiques (1955–56)
- Chronochromie (1959–60)
- Sept haïkaï (1962)
- Et exspecto resurrectionem mortuorum (1964)
- La Transfiguration de Notre Seigneur Jésus-Christ (1965–69)
- Des Canyons aux étoiles... (1971–74)
- Éclairs sur l'au-delà... (1988–92)
- Concert à quatre (1990–91)
- Thème et variations (1932)
- Fête des belles eaux (1937)
- Quatuor pour la fin du temps (1940–41)
- Le Merle noir (1952)
- Feuillets inédits (2001)
- Le Banquet Céleste (1928)
- Offrande au Saint Sacrement (ca. 1928)
- Prélude (ca. 1929)
- Diptyque (1930)
- Apparition de l'église éternelle (1932)
- La Nativité du Seigneur (1935)
- Les Corps glorieux (1939)
- Messe de la Pentecôte (1949–50)
- Livre d'orgue (1951–52)
- Verset pour la fête de la Dédicace (1960)
- Monodie (1963)
- Méditations sur le Mystère de la Sainte Trinité (1969)
- Le Livre du Saint-Sacrement (1984)
- Préludes (1928–29)
- Visions de l'Amen (1943)
- Vingt Regards sur l'enfant-Jésus (1944)
- Cantéyodjayâ (1949)
- Quatre Études de rythme (1949–50)
- Réveil des Oiseaux (1953)
- Catalogue d'oiseaux (1956–58)
- La Fauvette des jardins (1970)
- Petites esquisses d'oiseaux (1985)
- O sacrum convivium! (1937)
- Poèmes pour Mi (1936–37)
- Chants de Terre et de Ciel (1938)
- Harawi (1944)
- Claire Delbos (first wife)
- Yvonne Loriod (second wife)
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